此當代宗教建築裡，配合建物清水混凝土粗曠的質地，將大量的實木帶入室內之中，帶來溫暖與質樸的感受，與藏傳佛教中強調內觀與冥想的理念相呼應。無論是視覺、聽覺、觸覺、味覺還是嗅覺，都在這裡找到了共鳴。

在這座當代宗教建築中，配合建物清水混凝土粗曠的質地，將大量的實木帶入室內之中，為空間注入一縷溫潤與質樸，兩者之間的張力，恰恰對應著藏傳佛教「外在空寂、內在圓滿」的修行境界。

當五感回歸本源、光影隨時間流轉，聲音被材質溫柔吸收，嗅覺淡然、觸感真實，甚至味覺都因心境而清明。

Within this contemporary religious architecture, the raw texture of exposed concrete is met with the warmth of natural timber, introduced generously throughout the interior. The interplay between these two materials reflects a subtle tension—one that resonates with the principles of Tibetan Buddhism, where external stillness and internal fullness coexist in harmony.

Here, the five senses return to their origins.
Light shifts gently with time, and sound is softly absorbed by the surrounding materials.
Scents linger in quiet subtlety, textures remain honest to the touch, and even taste feels clearer—refined through a tranquil state of mind.

This is not merely a space, but a realm where awareness deepens, and the self turns inward.